Friday, May 09, 2008
Conversation 24

MARS HILL AUDIO Catalog:
Conversations

Alan Jacobs on The Narnian

a MARS HILL AUDIO Conversation

The NarnianIn 2005, the year the first Chronicles of Narnia film opened, one of the best books ever written about C. S. Lewis was published. Alan Jacobs's The Narnian: The Life and Imagination of C. S. Lewis (HarperCollins) proceeded from the premise that almost all of the ideas Lewis wrote about in his nonfiction show up in one way or another in his fantasy tales. Lewis was "the Narnian" because everything Lewis cared about has a place in the Narnia stories.

While Lewis is honored by many Christians (and others) for his imaginative accomplishments, Lewis's own thinking about the nature of the imagination is often neglected. But Lewis believed that the training of the imagination was as important a religious task as the training of the reason. Reason was the organ of truth, imagination the organ of meaning. As he put it, "Imagination, producing new metaphors or revivifying old, is not the cause of truth, but its condition. It is, I confess, undeniable that such a view indirectly implies a kind of truth or rightness in the imagination itself." Lewis believed that we humans (and the rest of Creation) are so ordered that our perception of reality requires poetic, metaphoric knowledge. So there are some aspects of reality that can only be properly perceived in imaginative form.

Alan Jacobs"One of the things that Lewis does is to show that the work of imagination is going on all the time around us, and even the people who most strenuously dismiss it are actually using it all the time in order to influence others." So claims Alan Jacobs (left) in this stimulating Conversation with Ken Myers. During their discussion of Lewis's thinking about faith and imagination, a number of Lewis's books come into view, including, The Great Divorce, The Abolition of Man, The Magician's Nephew, That Hideous Strength, and The Pilgrim's Regress. Jacobs explains why Lewis's brief against modern culture, especially its scientistic and reductionist tendencies, depends on the crucial matter of what it means to imagine. 53 minutes.

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